MELTDOWN @ WHIRINAKI WHARE TAONGA, NEW ZEALAND IN COLLABORATION WITH PROJECT PRESSURE

MELTDOWN

Visualizing Climate Change

A collaboration between Project Pressure. Presented in conjunction with The New Zealand Festival

including work by Renate Aller (DE/USA)  Corey Arnold (USA)  Michael Benson (USA) Scott Conarroe (CA)  Simon Norfolk (NG/UK)  Christopher Parsons (USA)  Peter Funch (FR/USA)  Noémie Goudal (FR)  Erwin van den Ijssel (DK) Adam Hinton (UK/USA)  Klaus Thymann (DK)

EXHIBITION ON VIEW

Saturday 26 February – Sunday 8 May

Whirinaki Whare Taonga  |  836 Fergusson Drive, Upper Hutt Central, Upper Hutt 5018


Exhibition will travel to The Nelson Provincial Museum – Pupuri Taonga o Te Tai Ao

All works will be moved by boat to reduce the carbon footprint.

Nelson Provincial Museum
Town Acre 445, Cnr Trafalgar and Hardy Streets, Nelson
enquiries@museumnp.org.nz
03 548 9588

The Nelson Provincial Museum is New Zealand’s oldest museum. Collections date back to 1841 when the Nelson Institute was established on ship by the New Zealand Company. 


ABOUT THE EXHIBITION

curated by Klaus Thymann and Leanne Wickham

The exhibition is a narrative of the importance of glaciers told in a scientific, illustrative and poetic way and each artist has a unique take on the subject. It shows scale from the planetary level to microscopic biological impact, and considers humanitarian suffering and more. Together, the artistic interpretations in MELTDOWN give visitors unique insights into the world’s cryosphere, its fragile ecosystem and our changing global climate.

Proudly supported by the Embassy of the United States, Hutt Mana Trust, Upper Hutt City Council Sustainability Fund and the Lion Foundation.

PLATE 137   |  Rocky Mountains and Great Sand Dunes, Colorado, USA, 2011     70 cm by 100 cm archival UV print on wood veneer from the series and book  “The Space Between Memory and Expectation” by Renate Aller
PLATE 126   |  Grey Glacier, Patagonia, Chile, 2019      70 cm by 100 cm archival UV print on wood veneer from the series and book  “The Space Between Memory and Expectation” by Renate Aller
PLATE 129   |  Grey Glacier, Patagonia, Chile, 2019      70 cm by 100 cm archival UV print on wood veneer from the series and book  “The Space Between Memory and Expectation” by Renate Aller
PLATE 87   |  Florida, USA,  2017      70 cm by 100 cm archival UV print on wood veneer from the series and book  “The Space Between Memory and Expectation” by Renate Aller
PLATE 100   |  Kā Roimata o Hine Hukatere, New Zealand, 2017       70 cm by 100 cm archival UV print on wood veneer from the series and book  “The Space Between Memory and Expectation” by Renate Aller
PLATE 107   |  Glacier, German Alps, 2019       70 cm by 100 cm archival UV print on wood veneer from the series and book  “The Space Between Memory and Expectation” by Renate Aller
PLATE 72   |  Atlantic Ocean, USA, 2016       70 cm by 100 cm archival UV print on wood veneer from the series and book  “The Space Between Memory and Expectation” by Renate Aller
PLATE 103   |  NYC Harbor, USA, 2020       70 cm by 100 cm archival UV print on wood veneer from the series and book  “The Space Between Memory and Expectation” by Renate Aller

_______________

The Space Between Memory and Expectation photo book published by Kehrer Verlag ISBN: 978-3-96900-027-4 in the USA signed copies available via Photo-Eye Books  Essays by: Makeda Best, Curator of Photography at the Harvard Art Museums and Courtney J. Martin, director of the Yale Center for British Art

_______________


Born in Germany, Renate Aller lives and works in New York. “The Space Between Memory and Expectation” and “side walk 6′ apart in NYC” are her most recent books, both published by Kehrer Verlag, Germany. “Mountain Interval” and the artist’s previous projects “Ocean and Desert”“dicotyledon” (published by Radius Books of Santa Fe) and the long term project “Oceanscapes – One View – Ten Years” (co published by Kehrer Verlag and Radius Books) support the artist’s investigation into the relationship between Romanticism, memory and landscape – in the context of our current socio-political awareness.

Her works are in the collections of corporate institutions, private collectors and museums, including Lannan Foundation, Santa Fe, N.M., National Gallery of Art, Washington, D.C., Yale University Art Gallery, CT, George Eastman House, Rochester, NY, New Britain Museum of American Art, CT, Hamburger Kunsthalle, Hamburg, Germany, Chazen Museum of Art, Madison, WI, Parrish Art Museum, Water Mill, NY, , Musée des Beaux-Arts, Le Locle, Switzerland and New-York Historical Society Museum, New York, NY Where a solo exhibition with “side walk 6′ apart in NYC” will be held in March – July 2022.

Previous post side walk 6′ apart in New York City @ New-York Historical Society Museum
Next post Patricia Conde Galería – ZonaMaco -Mexico Art Week – in conversation with Renate Aller
image/svg+xml

Menu